Issue 20
March 2026
Theme Machine
Story Sprouts
Prepare your spring garden bed and unearth a writing exercise tailored to where you're stuck.

Story Sprouts
- Pick where you're stuck
- Pull the Plant out
- Get your exercise
Creative Sparks
The Anti-Premise
Finding your story’s unique angle could start with what you refuse to write.
That’s the idea behind an anti-premise: a list of genre conventions you actively choose to avoid. Writing a fantasy? Maybe “no ancient prophecies” and “no chosen one” are your starting boundaries. Working on a romance? Perhaps the central conflict isn’t a misunderstanding that can be solved by a single honest conversation.
These constraints push you toward less obvious ideas. If your romance can’t rely on a miscommunication, the real obstacle might be something neither character can control. Ban the shadowy mastermind from your thriller, and suddenly the villain could be someone the protagonist already trusts.
The next time you brainstorm, try starting with a simple question: What am I tired of reading?
Novelcrafter Secrets
Track Past Books with the Codex
Writing a sequel often means keeping track of complex histories. Instead of searching through previous manuscripts, you can create a Codex entry set to “Other” for each past book.
Think of this entry as a “Previously On” segment for your story. You can record major upheavals or unresolved mysteries specific to that volume. This keeps the consequences of the last book front and center, ensuring that the tone is set for your next work.
This technique is also great for writers using AI assistance, as it provides accurate context on past events to the model, allowing it to understand the current state of your world without needing the full text.
The amount of detail you go into is dependent on your project. Anything that the AI tends to confuse is worth putting into your Codex entry.
Marketing Secrets
Picking the Perfect Book Title
Your title is working before your reader has opened your book.
It sits on a shelf, in a search result, or in a friend’s recommendation. It has to be catchy without being gimmicky, thematic without being obscure, and somehow represent your entire story in a handful of words. So how do authors know when they’ve got it right?
Firstly, give yourself permission to use a placeholder. Working titles exist to help relieve the stress of a perfect name before you even start writing.
Once you’re ready, one place to start is looking at trends. Every genre has its own naming conventions, and studying them is more useful than it sounds.
- Romance often leans into longing and emotional stakes (It Ends with Us)
- Thrillers evoke urgency (Gone Girl, Misery)
- Literary fiction tends to hint at the books theme rather than describing what the book is about (The Road, Beloved, Outline)
You don’t need to follow the pattern, but knowing it means you can choose consciously whether to work within it or against it.
Finally, consider the theme of your story. Your title should whisper something true about it.
Give your book the best possible chance. It deserves it.